Monday, October 10. 2005This is the Creature
Something in one of the recent "Hacking" episodes brought this to my mind. It's a translation from the German, so if it doesn't exactly match your idea of poetry (*cough* Johnny Elbows *cough*), cut it some slack. :)
This is the Creature, by Ranier Maria Rilke This is the creature there never has been. They never knew it, and yet, none-the-less, they loved the way it moved; its supleness, its neck, its very gaze, mild and serene. Not there, because they loved it, it behaved as though it were. They always left some space and in that clear, unpeopled space they saved it lightly reared its head, with scarce a trace of not being there. They fed it, not with corn, but with the possibility of being. And that was able to confer such strength, its brow put forth a horn - one horn. Whitely, it stole up to a maid to Be within the silver mirror, and in her. Thursday, June 30. 2005
Last poem from me for a while, I promise Posted by Ancient of Days
in Poetry at
06:25
Comment (1) Trackbacks (0) Last poem from me for a while, I promise
This is another poem that "Confessions of a Mask" called to mind. I didn't refer to it initally because it's a very tenuous link, but I finally decided to go ahead. I really enjoyed this one when I came across it in High School.
Wednesday, June 29. 2005And while I'm at it...
I'll also post my favorite by ee cummings.
The Cambridge ladies who live in furnished souls are unbeautiful and have comfortable minds (also, with the church's protestant blessings daughters, unscented shapeless spirited) they believe in Christ and Longfellow, both dead, are invariably interested in so many things-- at the present writing one still finds delighted fingers knitting for the is it Poles? perhaps. While permanent faces coyly bandy scandal of Mrs. N and Professor D .... the Cambridge ladies do not care, above Cambridge if sometimes in its box of sky lavender and cornerless, the moon rattles like a fragment of angry candy Wednesday, June 29. 2005The Hollow Men
Your "Emperor of Ice Cream" reminded me really strongly of TS Eliot and ee cummings, which is kind of an interesting combination. I thought I'd post one of my favorite poems of Eliot's, just for fun. Of course, you'll recognize that lots of authors and artists have borrowed from it, including Steven King in "The Stand." Eliot is fascinating to me because he saw the "quiet desperation" of polite society and raved against it in his own odd way. "The Wasteland" is one that still haunts me sometimes...lines will come to mind and I will understand what sort of absolutely meaningless activities Eliot was involved in when he composed them.
The Hollow Men T.S. Eliot I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats' feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death's other Kingdom Remember us -- if at all -- not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death's dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind's singing More distant and more solemn Than a fading star. Let me be no nearer In death's dream kingdom Let me also wear Such deliberate disguises Rat's coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer -- Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man's hand Under the twinkle of a fading star. Is it like this In death's other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We grope together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death's twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o'clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper. Tuesday, June 28. 2005Some more poetry for you
I found this on Slate, and enjoyed it, so I thought I'd put together a quick analysis. Original here. NB: I wouldn't bother listening to him read. I didn't find him to be an especially talented poetry reader.
I'm interjecting my comments on lines that begin with two dashes (--).
I'm sure I missed some. Perhaps those of you with a bit more formal education can point them out. |
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